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We tell the Beatles story through their fabulous photos.

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"The Beatles saved the world from boredom."-George Harrison

Thursday, April 9, 2009

Here,There and Everywhere

Here, There and Everywhere....
To lead a better life I need my love to be here...

Here, making each day of the year
Changing my life with a wave of her hand
Nobody can deny that there's something there

There, running my hands through her hair
Both of us thinking how good it can be
Someone is speaking but she doesn't know he's there

I want her everywhere and if she's beside meI know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I'm always there

I want her everywhere and if she's beside meI know I need never care
But to love her is to need her everywhere
Knowing that love is to share
Each one believing that love never dies
Watching her eyes and hoping I'm always there
To be there and everywhere
Here, there and everywhere

Two Of Us?


John and Paul from the first Apple press conference.




Q: "Why are you here today"
JOHN: "To do THIS."
(laughter)
Q: "What is this?"
JOHN: "What's it look like?"
(laughter)
Q: "Looks like a circus."
JOHN: "Well, you know, what are YOU doing here?"
(laughter)
Q: "What is Apple, John?"
JOHN: "It's a business concerning records, films, and electronics. And as a sideline, whatever it's called... manufacturing, or whatever. But we want to set up a system whereby people who just want to make a film about (pause) anything, don't have to go on their knees in somebody's office. Probably yours."


PAUL: "We really want to help people, but without doing it like a charity or seeming like ordinary patrons of the arts. We're in the happy position of not really needing any more money. So for the first time, the bosses aren't in it for profit. If you come and see me and say 'I've had such and such a dream,' I'll say 'Here's so much money. Go away and do it.' We've already bought all our dreams. So now we want to share that possibility with others."
JOHN: "The aim of this company isn't really a stack of gold teeth in the bank. We've DONE that bit. It's more of a trick to see if we can actually get artistic freedom within a business structure."
Q: "If a youngster has a group, or their group thinks that they've got something going, what's the best way you'd recommend for them to get in touch with you to let you hear their stuff?"
PAUL: "Just get the address and send it, you know. That's it. Just send the stuff to Apple at Baker Street in London."
Q: "Will they get a hearing?"
PAUL: "Yeah."
Q: "That's great."
PAUL: "They get a reply too."
Q: "John, it said in the (press) release that you are planning to make a film of 'Spaniard In The Works.'"
JOHN: "Yeah."
Q: "I enjoy it, but I'm curious... Have you any ideas on how you plan to film it?"
JOHN: "Well yes, but not that I can explain, really. I've just gotta... make a film of the two books. (giggles) And how I do it, I don't know. But I'll do it. I can't really say how I'm gonna do it. I haven't got it on paper, you know."
Q: "Are the Beatles making another movie?"
JOHN: "Well it's in... We don't know when we're gonna make it, but it'll be, sort of, early next year."


Q: "Would you say that 'Magical Mystery Tour' is a better or worse album than 'Sgt. Peppers'?"
JOHN: "It's not an album, you see. It turned into an album over here, but it was just the music from the film."
Q: "Has anybody bought the film here?"
JOHN: "I haven't a clue, you know. We don't care."
Q: "What do you think of the critical reception of the film 'Magical Mystery Tour'?"
JOHN: "Well I mean, it doesn't matter. It does, but it doesn't really matter, you know. It's why it's not on now is what matters. That's why people aren't seeing it."
PAUL: "They were just disappointed, you know."
Q: "Did they have any valid points? Were they valid?"
JOHN: "I didn't see any valid points. They thought we were stepping out of our roles, you know. They like us to keep in the cardboard suits they designed for us."
(laughter)
Q: "What roles do they want you to stay in?"
JOHN: "Whatever they have. Whatever image they have for themselves, they're disappointed if we don't fulfill that. And we never do, so there's always a lot of disappointment."
Q: "Are there any plans for showing 'Magical Mystery Tour' in America?"
JOHN: "Yeah. We'll put it on in the streets with a screen and a projector."
(laughter)
DEREK TAYLOR: "Will they be doing a television special soon?"
JOHN: "I don't know."
PAUL: "Maybe. Quite possibly, Derek."
(laughter)
JOHN: "But we're gonna do an LP, so we don't know what happens until we've done that."
Q: "Do you ever think you might tour, or do a movie or special here in the United States?"
JOHN: "It's quite possible. Why not, except for we live there, you know."
Q: "Well, you could visit."
JOHN: "Yeah, sure. (giggles) But is it worth the journey, you know."
Q: "Do you plan on opening an Apple clothing store in the United States as a chain?"
JOHN: "No plans that I know of."
Q: "Do you consider yourselves as trendsetters for the younger generation in the things that you do, or do they just sort of happen?"
PAUL: "We follow trends ourselves. I think everyone does. I can never find out who STARTS the trends. It's someone else altogether."
Q: "You certainly have reinforced some trends that you have picked up, whether you've started them or not."
PAUL: "Yeah. That's what we do. That's what happens. They get reinforced, but they're there already."
Q: "What was your basic meaning of 'I Am The Walrus'?"
JOHN: "It just means I am the walrus... or I WAS when I said that, you know."
(laughter)
Q: "You mentioned that you are working on a new album. Do you feel that albums in general should be complete presentations all the time, or could they be groups of songs?"
PAUL: "They're always just what happens at the time, you know, but they could be anything. It could just be one long song, a million little ones... you know, it's just how it turns out. It's normally about fourteen medium songs."
Q: "Have you heard any of Jimi Hendrix' albums?
PAUL: "He's great."
JOHN: "Yeah."
Q: "Have you seen him work live?"
PAUL: "Yeah. He's too much, you know."
Q: "Why do the Beatles meditate?"
JOHN: "Because it seems to be nice, like cleaning your teeth, you know. It does have some sort of end product. I think Maharishi was a mistake, but the teachings have got some truth in them."
Q: "What do you mean he was a mistake?"
JOHN: "We made a mistake."
Q: "Do you think other people are making a mistake to go see him now?"
JOHN: "That's up to them."
Q: (asks question away from microphone)
JOHN: "We're human."
(laughter)
JOHN: "And that's all, you know."
PAUL: "We thought there's more to him than there was, you know, but he's human. And for a while we thought he wasn't. We thought he was, uhh..."
Q: "Do you have any other new philosophical leaders?"
JOHN: "No."
PAUL: "Nope."
JOHN: (jokingly) "Me."
Q: "Do George and Ringo feel the same way about the Maharishi as both of you?"
JOHN: "Yes, yeah. We tend to go in and out together. I mean, with a few spaces. So, yeah."
Q: "Are the Beatles still meditating?"
PAUL & JOHN: "Yeah."
JOHN: "Now and then."
PAUL: (giggles) "At this moment."
(laughter)

Tuesday, April 7, 2009

John Lennon:Leave my kitchen alone


One of my fav from the Beatles Anthology book.

BREAKING NEWS:The Beatles Remasters FINALLY!




THE BEATLES' ENTIRE ORIGINAL RECORDED CATALOGUE REMASTERED FOR RELEASE 09-09-09




from beatles.com




Apple Corps Ltd. and EMI Music are delighted to announce the release of the original Beatles catalogue, which has been digitally re-mastered for the first time, for worldwide CD release on Wednesday, September 9, 2009 (9-9-09), the same date as the release of the widely anticipated "The Beatles: Rock Band" video game. Each of the CDs is packaged with replicated original UK album art, including expanded booklets containing original and newly written liner notes and rare photos. For a limited period, each CD will also be embedded with a brief documentary film about the album. On the same date, two new Beatles boxed CD collections will also be released.



The albums have been re-mastered by a dedicated team of engineers at EMI's Abbey Road Studios in London over a four year period utilising state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity the catalogue has seen since its original release.



The collection comprises all 12 Beatles albums in stereo, with track listings and artwork as originally released in the UK, and 'Magical Mystery Tour,' which became part of The Beatles' core catalogue when the CDs were first released in 1987. In addition, the collections 'Past Masters Vol. I and II' are now combined as one title, for a total of 14 titles over 16 discs. This will mark the first time that the first four Beatles albums will be available in stereo in their entirety on compact disc. These 14 albums, along with a DVD collection of the documentaries, will also be available for purchase together in a stereo boxed set.




Within each CD's new packaging, booklets include detailed historical notes along with informative recording notes. With the exception of the 'Past Masters' set, newly produced mini-documentaries on the making of each album, directed by Bob Smeaton, are included as QuickTime files on each album. The documentaries contain archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere.



A second boxed set has been created with the collector in mind. 'The Beatles in Mono' gathers together, in one place, all of the Beatles recordings that were mixed for a mono release. It will contain 10 of the albums with their original mono mixes, plus two further discs of mono masters (covering similar ground to the stereo tracks on 'Past Masters'). As an added bonus, the mono "Help!" and "Rubber Soul" discs also include the original 1965 stereo mixes, which have not been previously released on CD. These albums will be packaged in mini-vinyl CD replicas of the original sleeves with all original inserts and label designs retained.



Discussions regarding the digital distribution of the catalogue will continue. There is no further information available at this time.

Monday, April 6, 2009

RINGO:A view from behind


Ringo quotes from the 2007 Rolling Stone interview

about Kurt Cobain:

“Kurt Cobain was really powerful. He had great songs that were about the time he lived in. And that attitude…. Though he was this kid, this angry motherfucker, I never felt that. I always felt that inside he was a really loving guy.”

about rather new music (2007):

“Last year, the Magic Numbers were my band. I love them. Amy Winehouse has a really cool sound. There’s a lot of people out there, but most of them only get a chance to make one CD….”

jokes about last time he saw The Rolling Stones:

“Mick got us the tickets, and we had great seats, but we were watching the screens the whole time. I thought, ‘Well, I can watch this on TV.’ So I haven’t been to a stadium show since….”

Lat time he saw Bob Dylan live:

“Some days, he gives you very clear Bob, and some days he gives a Bob that doesn’t want you to understand what he’s saying."

discusses the seemingly endless impact of The Beatles’ music:

“The kids are listening. That’s the incredible part…. You could play it now for people in blindfolds, and they’d think it was from today….”

speaks solemnly about the passing of John and George:

“With John, it was such a shock that you dealt with it later. With George, you dealt with it as it was going on, which was harder in its way. But you have to say, ‘Life is life. It happens…’ ”