We tried to telephone, they said you were not home

click at picture for larger size.

...that's a lie... but this is the facts about the song 'No Reply'. The tracks that opened the album 'Beatles For Sale' in 1964.

1. This was one of John Lennon's first songs to tell a complete story. The boy knocks on his girl's door, knows she is home because he sees her in the window, but she does not answer. Lennon wrote the song when he was inspired by the song "Silhouettes." He said, "I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone." Music publisher Dick James told Lennon that it was the first "complete" song that John had ever written: It had a beginning and an end. (Thanks to our Beatles expert Pattie Noah - check her out at luvmedeux.com.)


2. This starts with a vocal, which was rare for the time.


3. Lennon's original intent for this song was for it to be a waltz. The demo The Beatles recorded at the last session for A Hard Day's Night is performed in this style. (thanks, Adrian - Wilmington, DE)

Beatles Haircut

By Bill Harry

read the full story here

Moptops? What do you mean!

I never noticed anything particular about John, George, Paul, Pete or Stuart's hairstyles in the early days -- apart from the fact that initially some of them sported the traditional Tony Curtis style that was popular in Liverpool in the late fifties. It was a style referred to as a d.a. (duck's arse, because of the way the hair curled at the rear).

I had mine done at Max the Mad Russian's, near the Majestic Cinema in town.
Nor did I notice anything specific about their hair when they returned back from Germany. Looking at the photos of the time, taken by Astrid and by Mersey Beat photographers, I couldn't see anything that was radically different from the style most Liverpool youngsters and group members sported.

Then, when Brian Epstein took them over, I noticed that not only did he spruce them up in mohair suits made by his tailor Beno Dorn in Birkenhead, but he took them to Horne Brothers at the corner of Lord Street and had lots of publicity photographs taken of them enjoying a new coiffeur by the unknown barber there. I say unknown, because no one these days could quote the name of the barber who gave them the style, on the instruction of Brian Epstein, when he took them to the fashionable barbers in April 1963. Dezo Hoffmann photographed them having their hair cut and was to comment, "The hairdresser was a friend of theirs who liked Astrid Kirchherr's idea of longer hair for the Beatles. He would groom and discipline their hair for them every week."

Despite Brian and his Horne Brothers publicity pictures to herald a new Beatles image (he took them to the Empire Theatre to watch the Shadows, in their mohair suits, and pointed out how they bowed to the audience at the end of their act. John and Pete didn't like to abandon their leather gear, but they were outvoted. Once suited in mohair, with tidy shirts and tie, John again tried to rebel by unfastened the top button of his shirt when they went on stage, but Paul always stepped forward to fasten it again. Brian gave them neatly typed sheets instructing them not to swear or smoke on stage - paving the way for the Rolling Stones to adopt the image of 'the savage young Beatles', that Brian had carefully smoothed away), their hair style began to change initially in Hamburg.

The Hug

Thank you, security guard. BTW from his face (and his strange acting lips) George didn't seem to mind at all. Oh how I miss the good old days.

The Beatles Anthology (sample)

Yes, I got this book. And this entry's going to show some pages of it. One by one. Here's the first two.:)

Fab Four Live

Nothing but a great fabs live in colors. Click to see in a larger size.